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Titlebook: 3D Cinema; Optical Illusions an Miriam Ross Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited 2015 3D Cinema.Stereos

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发表于 2025-3-21 16:19:24 | 显示全部楼层 |阅读模式
期刊全称3D Cinema
期刊简称Optical Illusions an
影响因子2023Miriam Ross
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图书封面Titlebook: 3D Cinema; Optical Illusions an Miriam Ross Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited 2015 3D Cinema.Stereos
影响因子3D Cinema: Optical Illusions and Tactile Experiences questions the common frameworks used for discussing 3D cinema, realism and spectacle, in order to fully understand the embodied and sensory dimensions of 3D cinema‘s unique visuality.
Pindex Book 2015
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Bodies in Motion,rvices in most fields of practice..Doing Psychology Critically: .§ translates critical psychology theory into practice.§ applies to most fields of applied psychology.§ is written in an accessible style .§ inclu
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Arresting Forms,legung und Deutung sind allerdings weder eine geisteswissenschaftliche noch eine soziologische Erfindung, sondern gehören als von früh an gelernte Fähigkeiten und Fertigkeiten zu unserem alltäglichen Geschäft. Sie durchziehen und strukturieren menschliches Denken und Handeln und machen so die uns um
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Conclusion,y become anchored by ancillary policy-relevant knowledge that bridges testimony with theory. In managing to be evocative of both risk and methods, and policy and praxis, this chapter lends itself to giving readers a chance to engage, directly, with .
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Back Matterndlungsprozesse soziale Realität, die sich auf beiden Seiten in Selbstverständlichkeiten niederschlägt. Hierbei ist von permanenten Veränderungen auszugehen, weil sich sowohl die sozialen Probleme als auch ihre Bearbeitungsstrategien wandeln können. Auch wenn davon auszugehen ist, dass sich bestimmt
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Advances in Dynamic Games and Applicationsf distance, depth and solidity.. While stereoscopic images, be they from the stereoscope, cinema screen, television set or computer monitor, do not fully envelop or surround their viewer, by no means are they at a distance in the same way that flat (2D) images are. I do not use the term ‘flat’ to su
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Parallel Algorithms for the Isaacs Equationdies create affective intensity. In a similar vein is one of the most widely used texts, and most useful for this study of 3D cinema: Laura U. Marks’ . (2000). She examines the way haptic visuality is produced by a specific mode of cinema which, in her book, she identifies as intercultural cinema: f
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Lina Mallozzi,Jacqueline Morganrmat such as David Brewster and John F. Mascher went to great pains to make the photographic aperture and the distance between cameras replicate the biological function of the eyes (Silverman, 1993: 741; Pietrobruno, 2011). When stereoscopic moving images were developed in the twentieth century, rev
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