Titlebook: (Un)doing Diabetes: Representation, Disability, Culture; Bianca C. Frazer,Heather R. Walker Book 2021 The Editor(s) (if applicable) and Th

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Martin Zeitz,W. F. Caspary,Gerd Lux argue that . diabetes means contributors deconstruct assumptions the public holds about diabetes. Further, that . diabetes seeks to understand the narratives community members create to represent themselves. In this chapter, authors describe contemporary understandings of diabetes as disease, as me

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Ljubomir Christov,Markus Gorzelanczykntervention into exchanges about capitalism that have grown more intense and visible as the cost of insulin has continued to soar. Social media users spotlight and rebuff the tight associations among lobbyists, non-profits, and politicians, arguing that the conventional ways of doing business active

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HIV-Impfstoffstudien: Neue Entwicklungen diabetes. As a diabetic and a researcher of diabetes rhetoric, I am in the ethnographic position of being a participant-observer, welcomed into the community as a fellow expert patient. This expertise is built on both lived experience and learned medical/scientific knowledge. In the context of medi

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https://doi.org/10.1007/978-3-642-79009-6ount of the movement from within. As a #insulin4all chapter leader, Irwin breaks down how diabetes activists borrowed representational strategies from AIDS activists of ACT UP. Irwin complicates the story of #insulin4all and their approach to activism by outlining how the supercrip narrative of disa

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Simon W. Houlding MSc (Eng.), P.Eng. “‘Diabetes, Yuck!’: Comedy, Disability, and The Dangers of Parody in . (2009–2015),” Frazer argues that by disregarding the politics of diabetes as a disability, the show’s comedy “fails to invoke audience’s critical thinking around government actions.” Using cultural theories of parody and punchin

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Simon W. Houlding MSc (Eng.), P.Eng.Art (DDA) with their diabetes data. Thulin examines two examples, Doug Kantor and Justus Harris, who use data in relatively normative ways. Thulin, then, identifies two examples, Shimon Attie and Robbie McCauley, who alternatively emphasize lived experience and community responses in their work. Thu

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