Titlebook: (Re-)Claiming Bodies Through Fashion and Style; Gendered Configurati Viola Thimm Book 2021 The Editor(s) (if applicable) and The Author(s),

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K. Müller-Jensen,B. Barlinn,M. Fetschererstanding the . as a “national uniform,” Emirati men claim their privileges in everyday life by wearing their dress as it signifies their nationality. However, the . can be traced as an intersectional garment that men furthermore utilize to embody a sense of traditionality. This is meaningful in co

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R. Wagner,D. Eisenmann,B. Dick,K. W. Jacobig wudu (a ritualized body cleansing procedure that every Muslim should undertake before salat—daily prayers) becomes problematic. In recent years, a new breathable line of nail polish, which allows water to penetrate the nail, became available. The so-called halal nail polish category generated not

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,Techniken für das Umweltmanagement,m women also remove their veils on a steady basis. This chapter examines the paradox by investigating how Indonesian women interpret hijab within the contemporary hijrah (migration) movement and why Muslim women decide to unveil. This chapter argues that veiling, unveiling, and moments in-between th

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https://doi.org/10.1007/978-3-642-60576-5ld wear head accessories and covering that appear to substitute the hijab before going completely uncovered. This chapter focuses on the liminal states of embodiment after Muslim women have made the decision to unveil. What new hair and clothing practices have they adopted? What new aesthetic choice

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https://doi.org/10.1007/978-3-642-60840-7laced at the crossroad between homemade and retailed clothing, this versatile three-piece garment (not exclusively but preeminently feminine) is widely worn among South Asians, possibly embodying ethnic pride, religious modesty, overthrown subaltern identity. Based on multisite ethnography, this wor

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Berichte der Arbeitsgemeinschaften co-constitute each other. While the malaḥfa’s particular form and fabric provide Muslim women with certain constraints and possibilities, women exercise agency by activating particular qualities of these garments. Wiley focuses on the Ḥarāṭīn, former slaves or slave descendants, arguing that their

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Berichte der Arbeitsgemeinschaften wear over their clothes in the whole Maghreb when they left the house—as a key element for her performances. Starting from the presentation of two photographs in a recent exhibition in Vienna the complex layers of the image of the . through Algerian history will be unfolded along with a critical an

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Vortragssitzungen und Posterpräsentationeng in a redefinition of concepts and aesthetics of representation in art. Focusing on three artworks by Lalla Essaydi, Majida Khattari, and Yumna Al-Arashi, it examines artistic strategies in terms of their subversive impact deconstructing hegemonic discourse. The chapter discusses how the female bod

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