Ensign
发表于 2025-3-21 17:59:08
书目名称Border Ecology影响因子(影响力)<br> http://impactfactor.cn/2024/if/?ISSN=BK0189810<br><br> <br><br>书目名称Border Ecology影响因子(影响力)学科排名<br> http://impactfactor.cn/2024/ifr/?ISSN=BK0189810<br><br> <br><br>书目名称Border Ecology网络公开度<br> http://impactfactor.cn/2024/at/?ISSN=BK0189810<br><br> <br><br>书目名称Border Ecology网络公开度学科排名<br> http://impactfactor.cn/2024/atr/?ISSN=BK0189810<br><br> <br><br>书目名称Border Ecology被引频次<br> http://impactfactor.cn/2024/tc/?ISSN=BK0189810<br><br> <br><br>书目名称Border Ecology被引频次学科排名<br> http://impactfactor.cn/2024/tcr/?ISSN=BK0189810<br><br> <br><br>书目名称Border Ecology年度引用<br> http://impactfactor.cn/2024/ii/?ISSN=BK0189810<br><br> <br><br>书目名称Border Ecology年度引用学科排名<br> http://impactfactor.cn/2024/iir/?ISSN=BK0189810<br><br> <br><br>书目名称Border Ecology读者反馈<br> http://impactfactor.cn/2024/5y/?ISSN=BK0189810<br><br> <br><br>书目名称Border Ecology读者反馈学科排名<br> http://impactfactor.cn/2024/5yr/?ISSN=BK0189810<br><br> <br><br>
eardrum
发表于 2025-3-21 22:54:57
art? Video, photography and internet art from the margins.This book analyzes how contemporary visual art can visualize environmental crisis. It draws on Karen Barad’s method of “agential realism,” which understands disparate factors as working together and “entangled.” Through an analysis of digita
cliche
发表于 2025-3-22 03:33:24
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THE
发表于 2025-3-22 08:09:36
Introduction, of decolonial theory and subaltern studies. The introduction then gives a brief rundown of Barad’s agential realist solution and sketches out what I mean by “border ecology.” Finally, I address relevant literature in the field of eco art, as well as relevant theories of digital media.
NUDGE
发表于 2025-3-22 10:19:26
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令人悲伤
发表于 2025-3-22 16:11:50
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畸形
发表于 2025-3-22 20:18:46
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Astigmatism
发表于 2025-3-22 22:57:02
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Malaise
发表于 2025-3-23 04:53:58
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细颈瓶
发表于 2025-3-23 06:33:24
https://doi.org/10.1007/978-3-0348-7478-6 I argue, however, that rather than doing away entirely with allusions to the Western Romantic separation of human and nature, such digital landscapes are poised to ask critical questions: what kind of “nature” is represented in such a digitized, data-driven landscape? Can the visual of a schematic,