配置
发表于 2025-3-23 13:11:48
https://doi.org/10.1007/978-981-13-6404-4 Although borders stand for “otherness” in Mignolo’s formulation, I contend that the Mississippi watershed presents a metaphorical border and a physical boundary zone that radically de-centers human priorities of mapping the ecosystem. In doing so, I situate . as an ecocritical work specific to St L
PUT
发表于 2025-3-23 17:54:23
The Boundaries of the Map, I argue, however, that rather than doing away entirely with allusions to the Western Romantic separation of human and nature, such digital landscapes are poised to ask critical questions: what kind of “nature” is represented in such a digitized, data-driven landscape? Can the visual of a schematic,
evanescent
发表于 2025-3-23 21:41:58
Border Crossers, Although borders stand for “otherness” in Mignolo’s formulation, I contend that the Mississippi watershed presents a metaphorical border and a physical boundary zone that radically de-centers human priorities of mapping the ecosystem. In doing so, I situate . as an ecocritical work specific to St L
Ige326
发表于 2025-3-23 23:37:24
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热心助人
发表于 2025-3-24 06:01:51
Ila Nicole SherenEcology meets decolonial praxis in digital media.How visual art can give insights into environmental crises.What is missing from ecocritical art? Video, photography and internet art from the margins
SAGE
发表于 2025-3-24 07:45:11
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在前面
发表于 2025-3-24 12:07:10
https://doi.org/10.1007/978-3-031-25953-1contemporary art; Global South; border studies; eco art; landscape; new media
适宜
发表于 2025-3-24 16:03:53
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avarice
发表于 2025-3-24 19:03:33
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形状
发表于 2025-3-25 00:28:13
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