能够支付
发表于 2025-3-25 07:12:42
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NAV
发表于 2025-3-25 10:43:18
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CLAY
发表于 2025-3-25 15:29:23
https://doi.org/10.1007/978-981-13-6404-4ts may play. This chapter examines the connections between new materialism and postcolonial theory using the eco-art project . (2013–ongoing) by St. Louis-based artists Libby Reuter and Joshua Rowan and the interactive web-based documentary . (2012), by Leanne Allison and Jeremy Mendes. The former s
heckle
发表于 2025-3-25 16:33:18
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cliche
发表于 2025-3-25 23:27:38
Conclusions and New Directions: Border Art for a Border Ecology,Chapter ., the conclusion, takes up the question of the U.S.-Mexico border and asks what it would look like to make border art for a border ecology. Postcommodity’s 2015 installation . serves as the anchor for this brief discussion.
MORPH
发表于 2025-3-26 01:40:08
Introduction,rticular agency. I then trace the shortcomings of such an object-oriented approach, as well as the critiques of mainstream environmentalism coming out of decolonial theory and subaltern studies. The introduction then gives a brief rundown of Barad’s agential realist solution and sketches out what I
crescendo
发表于 2025-3-26 08:04:12
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paradigm
发表于 2025-3-26 11:57:40
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Etching
发表于 2025-3-26 16:40:31
Entanglements,ideo piece, Vibha Galhotra’s . (2015). This chapter is where I present “border ecology” as my solution to thinking through the problematic nature of “objects” in regard to postcolonial identities and the Global South at large. Galhotra’s video consists of a depiction of the sacred Yamuna River, stee
ineffectual
发表于 2025-3-26 19:00:04
Border Crossers,ts may play. This chapter examines the connections between new materialism and postcolonial theory using the eco-art project . (2013–ongoing) by St. Louis-based artists Libby Reuter and Joshua Rowan and the interactive web-based documentary . (2012), by Leanne Allison and Jeremy Mendes. The former s