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Titlebook: Voice and Context in Eighteenth-Century Verse; Order in Variety Joanna Fowler,Allan Ingram (Professor of English) Book 2015 The Editor(s) (

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‘Stricken Deer and Digressive Diplomacy’ the middle decades of the century, Cowper was perhaps unique in retaining a sense of Prior’s centrality as far as the end of his life (which coincided with the end of the century). The nineteenth century, by contrast, tended to find Prior somewhat trivial if not smutty and the twentieth century fai
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‘When Universal Nature I Survey’ From the mid-seventeenth century onwards, the spread of new scientific knowledge across Europe was profoundly altering the way poets thought and wrote about these questions. This chapter examines the poetry of natural philosophy in Britain in the first half of the eighteenth century. In this Newton
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Metering Mineral Resourceseological Society of London, unveiled his . (1819). It is an unprecedented and apparently inimitable attempt to combine Miltonizing mock-heroic ribaldry with deep mineralogical knowledge in a sometimes comical, always ploddingly didactic portrayal of the treasures within the earth. Simple in concept
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Figs and Fameree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked.’. Esther’s vision implies agency, the possibility of doing something as well as the necessity to (re-)act and a future that must be shaped. Plath’s fig tree, however, is a twentieth-century
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Blind Woman on the Rampagee recovery project of eighteenth-century women writers and the exploration of the experience of disability in the eighteenth century, since we have few objective records of either which would ‘count’ for traditional biographers. It is also a question to which Bill Overton gave a bold lead that I int
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