Titlebook: Visual Devices in Contemporary Prose Fiction; Gaps, Gestures, Imag Simon Barton Book 2016 The Editor(s) (if applicable) and The Author(s) 2

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Textual Gestures: Iconic Text and Narrative,e are challenged, defamiliarised and disrupted to varying degrees. Instead of reading sentences from left to right and from the top to the bottom of the page, some novels require the reader to turn the book upside down, on its side and to decode images that are constructed by the placement of the wo

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Graphic Storytelling and Visual Narrative: Images in Prose Fiction, appear in works of adult twentieth and twenty-first century prose fiction. When visual devices such as photographs and diagrams . occur in a novel, they utilise the space of the page in a markedly different way to text. Most importantly to this study, these visual devices are a part of the graphic

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,Case Study 2: William H. Gass’s , (1968),illiam H. Gass’s . (1968), can be dealt with and critically interpreted by understanding the implications that visual devices have on the reading process. To achieve this, each page will be approached with two questions in mind:

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sruptions to how a traditional page ‘should look‘ can have a large impact on the reading process. The book critically engages with the visual appearance of graphically innovative contemporary prose fiction.978-1-137-46736-2

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