Titlebook: Visiting the Art Museum; A Journey Toward Par Eleonora Redaelli Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive

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forebear

Sinus-Node

Conclusion,mes that arose throughout the volume: the development of an international debate; the rising strategies that museums are creating to address structural inequalities; and the importance of thinking about museums as situated.

剧毒

2569-1414 um (PAM) grounding a theoretical reflection in a concrete ex.Visiting the Art Museum: A Journey Toward Participation. is a book about the visitor experience. It is written as a companion for visitors to and inside the art museum. The volume engages readers in transforming a common experience, the mu

无孔

,Postface: From Visitors to Users—COVID-19 Accelerating Change,should—a museum look like in a post-COVID world, what is its role, and how should it be supported? This reflection ponders on the challenges we are facing and describes a proposal, starting with my autobiography.

脱落

Introduction,nto a sophisticated epistemological inquiry and explains its relevance in current times. The visitor experience does not refer to a real visit, but it is used as a universal category. The study of the visitor experience through an epistemological approach consists of the untangling of the academic d

Veneer

The Visitor Experience and Disciplines: An Epistemological Journey,alian philosopher Carlo Sini. The thought of the practices provides a foundation for understanding the visitor experience through an epistemological exercise: It explains how something exists (the visitor experience) and at the same time provides a lens to unravel how knowledge is produced (the disc

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浮雕

Buildings and Architecture: Typologies That Defy Definition,ium-sized cities around the world. Just as the reasons for creating museums have evolved and spread, so the architectural form of museums have been just as flexible: located in former royal palaces or former industrial structures or standing as contemporary architectural icons. This chapter gives an

横截,横断

Exhibitions and Design: A Perspective on the Project of Museum Display,arily related to the setup of its display in the museum spaces. The chapter works through the discussion of two key theoretical monographs on the subject, namely .: . [trans: Exhibiting: Exhibition Design in Italy from the Twenties to the Eighties] by Sergio Polano (1988) and . by Herman Kossmann (2