Titlebook: Vision and Textuality; Stephen Melville (Teaches Art History),Bill Readin Textbook 1995Latest edition Macmillan Publishers Limited 1995 ae

bacteria

The Visibility of Visuality: Vauxhall Gardens and the Siting of the Viewer visual realm. This chapter will explore a signal moment in that history when the politics and erotics of the look take on special cadences within the cultural topography of eighteenth-century England.

开玩笑

temperate

好色

Reading the Gaze: The Construction of Gender in ‘Rembrandt’ vision; two ways of processing these: reading and looking; two paradigms of interpretation: the verbal one, based on Jakobsonian ideal, mutual communication, and the visual one, based on one-sided, objectifying voyeurism; is there life beyond binary thinking?

灰心丧气

Loathe

Basic Concepts. Of Art Historyceptual apparatus. Seen from this perspective, the ‘crisis in the discipline’ amounts to a vast uncertainty about the specificity, limits, location and effect of the discipline of art history within the larger field of knowledge and cultural practice. It is not clear that the history of art has foun