Titlebook: Vision and Audience in Medieval Drama; A Study of The Castl Andrea Louise Young Book 2015 The Editor(s) (if applicable) and The Author(s) 2

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书目名称Vision and Audience in Medieval Drama被引频次学科排名




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书目名称Vision and Audience in Medieval Drama读者反馈学科排名

大沟

Andrea Louise Youngating infusion of a wealth of principles andknowledge derived from evolutionary biology, neurophysiology, andcognitive science...The chapters provide abundant material foranimated discussion.‘‘.--- Evolution and Human Behavior.,September 1997When engaging in laboratory and field studies,researchers

Ccu106

Andrea Louise Youngrnal of Medicine published 41 such studies soon afterwards. Using these studies asexamples I try to give an overview of major advantages and disadvantages of crossover and parallel group studies. Strengths of the crossover versus parallel design include: (1) elimination of between-subject variabilit

不要严酷

Andrea Louise Youngance with speech recognition systems etc. Face recognition is important to humans, and the face plays a major role in social intercourse, conveying emotions and feelings. Humans are very adept at recognising faces and can do so with ease even under a range of different physical conditions. However,

云状

Andrea Louise Youngpresentative. This expansion has increased the number and types of problems experienced by developers and callers who interact with CTI systems. Some of these problems can be identified and prevented by using a design framework with the dimensions of “time” and “complexity”. The time dimension appli

Schlemms-Canal

Andrea Louise Youngthrough a classic adverse event as a case study and shows you how..It is a practical guide to continuously improving your healthcare environment, processes, tools, and ultimate outcomes, through the discipline of human factors. Using this book, you as a healthcare professional can improve patient sa

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The New Middle Ageshttp://image.papertrans.cn/v/image/983608.jpg

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Book 2015The earliest complete morality play in English, The Castle of Perseverance depicts the culture of medieval East Anglia, a region once known for its production of artistic objects. Discussing the spectator experience of this famed play, Young argues that vision is the organizing principle that informs this play‘s staging, structure, and narrative.

Infant

https://doi.org/10.1057/9781137446077drama; Medieval Literature; Middle Ages; British and Irish Literature