Titlebook: Virtual Reality Narratives; Embodied Encounters Kath Dooley Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive lic

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Conclusion: Virtual Reality Narratives as Embodied Encounters in Space,nsiders industrial developments that have influenced the creation of entertainment-based VR projects in recent years, and then isolates three key themes that emerge in the scholarship. These are VR as spatialised storytelling, user-focused approaches to narration, and VR as Interactive Digital Narra

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Book 202420. Through various case studies, it showcases the increasing diversity and sophistication of recent narrative-based projects. Moving past the initial hype associated with the latest wave of VR, a number of innovative and affective works combining documentary-based or fictional storytelling with gam

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e spaceship-that was obviously beyond existing tech­ nology-but a more realistic mission. In 1989 I had videotaped Voyager 2‘s encounter with Neptune and watched the drama of robotic exploration over and over again. I started to wonder whether we could do something similar with Alpha Centauri, the n

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Kath Dooleynternehmungsähnlicher Subsysteme insofern von Bedeutung, als sich — und dies nicht nur aus gesamtwirtschaftlicher Perspektive — die Frage stellt, warum die Güter und Dienstleistungen, die in diesen Einheiten unter zumindest angestrebten marktähnlichen Bedingungen erstellt werden, nicht gleich ganz d