Titlebook: Virginia Woolf‘s Bloomsbury, Volume 1; Aesthetic Theory and Gina Potts (Ph.D. at Birkbeck),Lisa Shahriari (Ph. Book 2010 Palgrave Macmillan

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,Sketches of Carlyle’s House by Two Visitors, a Young Virginia Woolf and a Japanese Novelist, Sōsekiis] life’, living in misery, ‘like a poor dog that had wandered into the company of wolves’ (Sōseki, 1975, p. 14). There is no question of direct or indirect influences between them. The closest point of their never crossing paths is their visits to Carlyle’s House; it seems they were both received

自爱

cuticle

hegemony

,Mapping the Ghostly City: Cambridge, A Room of One’s Own and the University Novel,ecome . is self-consciously cantankerous, and also displays evidence of a grudging admiration. She writes in her diary how she felt elderly and mature, ‘And nobody respected me. They were very eager, egotistical, or rather not much impressed by age & repute. Very little reverence or that sort of thi

吹牛者

London Rooms,lebrates, fictionalises and transforms the activity of walking through urban spaces. Her novels, her short stories, her essays and her diaries all contain traces of walks and they also stage arguments about the importance and the fascinations of the kind of walking we have come to know as ‘street ha

令人作呕

,Leonard and Virginia’s London Library: Mapping London’s Tides, Streams and Statues,n a dozen books about London and its environs (Gillespie, 2003, p. xvi). Although many of these books seem to have belonged to Virginia rather than to Leonard, it is often not possible to tell which of the two owned, read or used a particular volume. However, an account of the books about London in

Corporeal

TRUST

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