Titlebook: Virginia Woolf‘s Rooms and the Spaces of Modernity; Suzana Zink Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 spatial ima

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Rereading the Modern,ter also offers a framework for “reading rooms,” based on Woolf’s own insights into the nature of space and place, arguably anticipating later observations by theorists such as Bachelard and Lefebvre. The discussion ends with a “biographical detour,” designed to show how Woolf’s own spatial history informs her writing of rooms.

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,,: Great Men’s Rooms and Women’s Lives, the great poet’s biography, suggestive of a reading of rooms as “texts of memorialisation.” The chapter thus explores the archival function of built space, which serves to perpetuate a Victorian ideal of greatness at odds with the aspirations of the new generation embodied by the protagonist Katharine Hilbery.

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Conclusion, novel constitutes a perfect example of her complex engagement with space, as seen in the constantly juxtaposed spatial and temporal planes underlying the novel’s dramatization of English history, as well as in the multiple meanings of rooms as material, psychic and textual space.

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