Titlebook: Victorian Writers and the Stage; The Plays of Dickens Richard Pearson Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 Dicken

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centered development methods. While this awareness has grown, there is a need to explore accessibility from diverse stakeholder perspectives when applying these standards. This study presents findings from a survey of 47 stakeholders who used an internal customized digital tool with design component

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Adapting to the stage: Wilkie Collins and the double textng with his former self. And whether it be adapting and reshaping old, well-known narratives or generating simultaneous fictional and dramatic explorations of the same narrative, Collins’ plays remain in a bifocal relationship, ‘twin-sisters’, confrontational, with his other, accepted, authorial identity.

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Introduction: legitimacy and playwritinge re-emergence of a celebrity playwright to rival that of the celebrity novelist or poet. Before this, all is silence: generic popular forms, such as melodrama, burletta and farce, that are seen not to constitute valuable literature, and an industry of anonymous, or, at best, second-rate, authors.

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2634-6494 empts to develop their reputations as playwrights. These major Victorian writers each authored several professional plays, but why has their achievement been overlooked?978-1-349-70033-2978-1-137-50468-5Series ISSN 2634-6494 Series E-ISSN 2634-6508

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Introduction: legitimacy and playwriting canonical playwright from the 1830s to the 1880s, and most dramatists have been forgotten to all but performance specialists and theatre historians. For literary studies, the final decade of the nineteenth century, which saw the linguistic games of Wilde, the political comedy of Shaw, the psycholog

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Farce, family and the minor theatres: Dickens as a legitimate playwright as they symbolically structure the city as Other or oppositional to the setting of the play. As such, they seek to create a distance between his theatre work and his street-journalism, despite contemporary comments about the farcical nature of the .. All three of his professionally performed plays