Titlebook: Victorian Travel Writing and Imperial Violence; British Writing on A Laura E. Franey Book 2003 Palgrave Macmillan, a division of Macmillan

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Laura E. Franeyowth pattern of the tumour, with the aim of matching these fea­ tures to those of a normal tissue found in the same organ. The principles of the second edition of the WHO Histological Typing of Salivary Gland Tumours are based on the following axioms: - The classification is orientated to the routine work of 978-3-540-54031-1978-3-642-84506-2

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Laura E. Franey 1). The enamel organ is an epithelial structure derived from the ectoderm that lines much of the oral cavity. The dental papilla and the dental follicle are ectomesen­ chymal (mesectodermal), being partly derived from cells that mi­ grated from the neural crest early in embryogenesis. Both the gros

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2634-6494 narratives provide a rich entry into the shifting meanings of colonialism, as formal imperialism replaced informal control in the Nineteenth century. Offering a wide-ranging approach to travel literature‘s significance in Victorian life, this book features analysis of physical and verbal violence i

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Introduction,ctional kingdom in Central Africa the following explanation of her empire’s day-to-day functioning: “How thinkest thou that I rule this people? I have but a regiment of guards to do my bidding, therefore it is not by force. It is by terror. My empire is of the imagination.”. A large body of interdis

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,“The Devil’s Own Tattoo”: Prefiguring Imperial Sovereignty in Exploration Narratives,gend have combined to make Victorian travel literature appear well suited to a theatrical vocabulary. Dorothy Hammond and Alta Jablow, for instance, in their ground-breaking study of fictional and nonfictional rhetoric about Africa, . (1970), employed the language of the theater in discussing the ma

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,“A Pulpy Mass of Churned-Up Flesh”: Exploring the Complexity of Pulverization,ttooing — the outward appearance of Africans might signal for readers the appropriation of individual bodies and the collective African will by travelers who perceived their actions as a first step toward the imposition of European sovereign power. In her excellent and wide-ranging study . (1993), S

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Damaged Bodies and Imperial Ideology in the Travel Fiction of Haggard, Schreiner, and Conrad,ed in number and popularity during the last two decades of the nineteenth century. Some of that fiction was directed toward a male adolescent audience, such as R. M. Ballantyne’s . (1873) and William Lancaster’s . (1885), both of which focused on the slave trade. Another popular genre for boys, the

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