Titlebook: Victorian Sensational Fiction; The Daring Work of C Richard Fantina Book 2010 Richard Fantina 2010 body.colonialism.corpus.fiction.gender.V

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Richard Fantinas in Überein­ stimmung mit den Daten aus dem Augsburger Infarktregister zu einer Zunahme der Häufigkeit der Risikofaktoren gekommen, insbesondere zu einem Anstieg des Serum­ cholesterins und des Körpergewichts, zu praktisch keiner Veränderung beim Rauchver­ halten und nicht zu einer Abnahme der Hypertonie, so978-3-642-53796-7978-3-642-53795-0

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SENSATION Fiction and the Emergence of the Victorian Literary Field,le smugness and prudery” in the comments of establishment critics (93). Writing in 1919, Phillips adds that there is “something ludicrous” in the intensity of the critical reaction to the sensation novel that “is only comprehensible when one bears in mind the smugness and sanctimoniousness of the Vi

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,Sensational Paradigms: Reade’s , and Braddon’s ,ll out the text, but the primary business of . and . lies in the portrayals of their indomitable heroines. As passionate and often aggressive women of property, both Aurora and Kate present challenges to prevailing gender norms, particularly in their negotiations of the institution of marriage. Both

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ing was once a significant consideration with liver resections, it is now an uncommon cause of death for elective liver operations. Nevertheless, control of blood loss remains an important issue. There is a strong correlation between blood loss in excess of 4–5 liters and postoperative complications

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Richard Fantinatension results in Budd-Chiari syndrome secondary to HCC [124, 125]. Ball-valve thrombus syndrome following an intra-atrial tumor growth has been described in some cases where sudden death ensued from extension of the tumor invasion into the right atrium [126]. Although extension of the tumor thromb

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Richard Fantinaische Theorie“ ist vor allem im Hinblick auf die Fiktionalisierung der Wirklichkeit in einer medialisierten und technisierten Welt interessant. Er liefert eine anwendungsorientierte Theorie der medialisierten und techni­sierten Welt, einer durchgehend ästhetisierten Wirklichkeit, also eine Theorie d