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Titlebook: Victorian Contexts; Literature and the V Murray Roston Book 1996 Murray Roston 1996 architecture.design.Henry James.visual arts

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发表于 2025-3-21 18:33:02 | 显示全部楼层 |阅读模式
书目名称Victorian Contexts
副标题Literature and the V
编辑Murray Roston
视频video
图书封面Titlebook: Victorian Contexts; Literature and the V Murray Roston Book 1996 Murray Roston 1996 architecture.design.Henry James.visual arts
描述Examines how both artist and writer in the Victorian era responded to the shared challenges, assumptions, and dilemmas of their time, often unaware that the same problems were being confronted in the kindred media. The placing of such writers as Dickens, G.Eliot, Hopkins, and Henry James within the context of Victorian painting, architecture, and interior design offers fresh insights into their works, as well as reassessments of such themes as the mid-century representation of the Fallen Woman or the impact of commodity culture upon contemporary aesthetic standards.
出版日期Book 1996
关键词architecture; design; Henry James; visual arts
版次1
doihttps://doi.org/10.1007/978-1-349-13986-6
isbn_softcover978-1-349-13988-0
isbn_ebook978-1-349-13986-6
copyrightMurray Roston 1996
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t only for the exact analytical eigenvalue problems, but for the approximating algebraic ones as well. In the first part of the present paper an oscillation theorem is proved for a certain class of matrix operators, and in the second part some examples and applications in the field of practical mathematics are given.
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Murray Rostons nothing other than the chrematistic use of funds, only the owner of funds can become a capitalist by using them as capital. The word “chrematistic” originally meant “money-making” or “acquisitive of wealth”. Here, it is used in the sense of “pursuing mercantile (or abstract-general) wealth”.
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Murray Rostonamme‘) of capitalism. More than a hundred years after Marx‘s death, his economic work is revived here with the analytical rigour expected of modern scientific theory, yet with no concession in substance to bourgeois economics.
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The Fallen Woman,ns of the work, has emerged as a major pursuit in New Historicism (or, as its founder prefers to call it, ‘the poetics of culture’). Louis Montrose’s legal and ethnographic exploration of the inheritance rights of younger brothers during the Elizabethan period has proved illuminating for .; and Marj
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Commodity Culture in Dickens and Browning,d those of the draughtsman. His original assignment as author of . had been in a subordinate capacity, hired to provide, as he put it, ‘… a vehicle for certain plates to be executed by Mr Seymour’; but the immense popularity of his contribution reversed the priorities, the success of that work being
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