Titlebook: Vernacular Aesthetics in the Later Middle Ages; Politics, Performati Katharine W. Jager Book 2019 Springer Nature Switzerland AG 2019 Verna

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Alchemical Language: Latin and the Vernacular in the Poetry of Thomas Norton and John Gowerths. This chapter considers selections from Norton’s . and Gower’s . (alongside images from manuscripts) to explore the ways Latin was used and visually represented in relation to the vernacular by these poets, with some comparison of Geoffrey Chaucer’s use of alchemy in “The Canon’s Yeoman’s Tale.”

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Vernacular ,, ,, and the Aesthetics of Antifraternalismtury . series. The chapter’s analysis of ., and . explores how the features of .—performance, process, transformation—actually align with Lollard beliefs about artistic skill and open up our understanding of these texts whose literary value continues to be overlooked.

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Read It and Weep: Affective and Literate Engagement in Richard Rolle’s , and n these reading practices—not only as a vehicle for devotion but as an object that manifests devotion in its own right—indicates the importance of the act of reading in emerging spiritual praxes, which is particularly significant in an era of growing vernacular textual production and broader access to works of spiritual guidance.

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High or Low? Medieval English Carols as Part of Vernacular Culture, 1380–1450imary reception as low-status lyric, arguing that the genre cut across social categorizations. Close analysis of several examples demonstrates ways in which carols crossed popular and liturgical traditions and underlines the potential significance of the carol for understanding insular devotional culture before 1450.

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Introduction: Past Vernaculars: The Aesthetic and the Everyday,rity itself. Examining the formal composition and popular reception of vernacular texts in late medieval and early modern culture, this chapter discusses the recent work exploring the aesthetic production of poetry, prose, and music. Jager offers a timely and appropriate intervention into the lay re

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The Weight of Experience: John Gower and the Peasants’ Revolt of 1381es a nightmarish dream vision in which throngs of rogue peasants are transformed first into common beasts and then into hybrid monsters. In contrast to scholars who have emphasized the mediated and detached character of the work, I argue that Gower’s dreamer inhabits a hyper-sensual world in which p

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“Stonde Manlyche Togedyr in Trewthe”: Lyric and Rebellion Among Late Medieval MenI fols 174v–174r), represent vernacular poetry as a performative political medium. Brief, multimodal lyrics, the . are preserved in several historiographic chronicles, and thus have been primarily read by their contemporaries and by later critics through an evidentiary, material lens. Historicist ap

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