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Titlebook: Ventricular/Vascular Coupling; Clinical, Physiologi Frank C. P. Yin Book 1987 Springer-Verlag New York Inc. 1987 Bypass.blood vessel.hypert

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Robert L. Engler,James W. Covell photographically. The complication rate is extremely low; cumulated statistics recently obtained from six clinics revealed no case of infection following nearly 4,000 arthroscopies. The main indication for arthros­ copy is the "painful, diagnostically obscure knee joint" in the widest sense. The pr
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Wilmer W. Nichols,Michael F. O’Rourke,Albert P. Avolio,Toshio Yaginuma,Joseph P. Murgo,Carl J. Pepinnd of the clavicle are described in detail. From the discussion about the indications for arthroscopy and/or arthroscopic therapy, the book then goes on to convey information on positioning, draping, necessary instruments and, finally, the performing the arthroscopic intervention itself. Thus, all t
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Frank C. P. Yinsher beschriebenen Techniken, da nicht eine rotierende Fräse, sondern eine oszillierende Feile zur Knochenresektion verwendet wird. Das Buch vermittelt, beginnend bei der Indikationsstellung zur Arthroskopie bzw. arthroskopischen Therapie, über Lagerung, Abdeckung, notwendige Instrumente bis hin zur
发表于 2025-3-27 10:32:46 | 显示全部楼层
Joseph P. Murgo,Nicolaas Westerhoflerung des oberen Recessus beobachtet. Das ist insbesondere bei Ergußbildung wichtig, weil die Verlagerung der liquiden Massen in die parapatellaren Räume studiert werden kann. Auch scheint bei Beugung eine Sogwirkung zu entstehen, durch die die Flüssigkeiten in den oberen Recessus gelangen (Abb. 73
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Solbert Permutt,Robert A. Wiseis the logical outcome of the application of diagnos­ tic ultrasound in orthopedics and rheumatology. It covers all basic practical aspects of arthrosonography and will be a valued re­ source for those concerned with the evaluation of the musculo­ skeletal system. HANS RETTIG Contents Introduction . . . . . .978-3-642-73869-2978-3-642-73867-8
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Gerardus J. van den Hornvidual characters with universal significance. When he first appeared on the American stage, Willy Loman was recognised as a kind of American Everyman — a universal symbol made real by hundreds of minutely observed details of speech, manner and psychology.
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Joseph S. Janicki,Sanjeev G. Shroff,Karl T. Weber taste. He declared that drama should be a national art, definitely related to the great intellectual movements of the time, dealing with large themes and questions of moment; it should be brought into relation with literature to make it strike its roots into every corner of national life, to make i
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