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Titlebook: Understanding CCI through Chinese Theatre; Haili Ma Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive license to

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楼主: 弄碎
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Dongbei , Under Economic and Ideological Dual Censorship, errenzhuan under . scrutinises how a Chinese northeast folk carnival entertainment achieves national and international fame only to collapse and disappear overnight; it highlights the characteristics of China’s one-party monopolised CCI development.
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Zhejiang , and the Gaming Industry,This chapter investigates . digitalisation and gamification and issues around intellectual property (IP); it questions how . as a live community practice and collective ownership presents opportunities as well as challenges in China’s ambition to build an Intangible Cultural Heritage (ICH)-based CCI model.
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Fujian , and Ritual Economy,This chapter argues that alongside the party-state directed CCI infrastructure, there is an alternative lineage-based global socio-economic system which supports . production and consumption and further assists readers’ understanding of China’s CCI distinction in the globalised and digitalised world.
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