Titlebook: Umberto Eco, The Da Vinci Code, and the Intellectual in the Age of Popular Culture; Douglass Merrell Book 2017 The Editor(s) (if applicabl

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Douglass Merrell second the growth of Protestantism and the Protestant rejection of the rule of faith. These two causes grew in strength, inasmuch as in the course of their religious polemics men again turned to one of the classic themes of Hellenistic scepticism: the legitimacy of the credentials of any possible j

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chiedenen Konstellationen, in denen ein Schadensersatzanspruch des Verbrauchers aufgrund einer Verletzung der vorvertraglichen Informationspflichten durch den Darlehensgeber in Betracht kommt.​.978-3-642-39121-7Series ISSN 2197-3776 Series E-ISSN 2197-3784

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The Art of Adventure: Eco, Joyce, and the Open Work, as inspiration for his development of semiotics and interpretation theory. Eco’s . (1962) is assessed as a highly influential explanation of the way in which modern avant-garde works generate meaning through deliberate ambiguity that requires the active participation of the audience as a performer.

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The Gruppo 63 and the Italian Neo-avant-garde,uage. The concept of kitsch is analyzed in relation to the products of elite culture and popular novels such as . as well as an analysis of the problem of defining the value of a popular work as entertainment or escapist literature and its role in uncritically confirming the conditions of contemporary society.