Titlebook: Topologies of Fear in Contemporary Fiction; The Anxieties of Pos Scott McClintock Book 2015 The Editor(s) (if applicable) and The Author(s)

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Introduction: The Geography of Anger and the Diaspora of Terrorism,omparative approach, examining literary responses to terrorism and counter-terrorism in writing by contemporary Indian and U.S. authors. The 9/11 (September 11, 2001) attacks became a “master signifier” of terrorism that was echoed after the attacks by militants in Mumbai in 2008, attacks that were

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Travels Outside the Empire: The Revision of Subaltern Historiography in Amitav Ghosh,est in common with Indian historiography, during the same period, in rewriting modern Indian “national history without reproducing the categories of colonialism” (134). As Neelam Srivastava puts it, “Rushdie did for the novel what the . collective did for historiography” (85). But Mee, while giving

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Images for a Godless World: Violence After the Sacred in the Millennial Indian Novel, chapter, since it contains the crucial terms which frame my discussion of the representation of political violence in the Indian novel of the millennium, a period whose tone is inflected, fittingly for the end of one century and the beginning of another, by the image of apocalypse, and the trans- v

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药物

,Looking Backward at Joseph McElroy’s ,: Mining Neural Neighborhoods and Social Networks in Postmodern Fiction, dystopian responses to Bellamy’s rosy late 19th century picture of late 20th century America. Readers of Bellamy will recall that the “cable telephone” is one of the technological devices shown to the novel’s Rip van Winkle protagonist, Julian West, by the Virgilian spokesman for technological prog

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Conclusion: Four Covering Principles for the Time of Terrorism,mporary narrative, both as a “topos,” a persistent and repeating type, and how terrorist bodies appear and are inscribed in literary writing and in other discourses, including counterterrorism studies and law, has been the principal object of study throughout the book. To the extent a tradition of c

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interacting with the system), or even informally asking the children questions in the middle of their TouchStory game, is not an option, so more indirect methods of inquiry and pedagogy, possibly including observational analysis will be investigated. Narrative is fundamental to understanding ourselv

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Scott McClintockwe examine a variety of oppressive mechanisms, including ableism, racism, and transphobia, and how in combination they relate to accessing and using web content. We argue that by ensuring the accessibility of web content substantively, future researchers and practitioners can promote a more universa