| 书目名称 | The Symbolic, the Sublime, and Slavoj Zizek‘s Theory of Film | | 编辑 | Matthew Flisfeder | | 视频video | | | 图书封面 |  | | 描述 | Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Žižek‘s theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics. | | 出版日期 | Book 2012 | | 关键词 | argue; cinema; film; film theory; ideology; politics; realism; subject | | 版次 | 1 | | doi | https://doi.org/10.1057/9781137110749 | | isbn_softcover | 978-1-349-34435-2 | | isbn_ebook | 978-1-137-11074-9 | | copyright | Palgrave Macmillan, a division of Nature America Inc. 2012 |
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书目名称The Symbolic, the Sublime, and Slavoj Zizek‘s Theory of Film影响因子(影响力)
书目名称The Symbolic, the Sublime, and Slavoj Zizek‘s Theory of Film影响因子(影响力)学科排名
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书目名称The Symbolic, the Sublime, and Slavoj Zizek‘s Theory of Film被引频次
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发表于 2025-3-21 19:21:51
