| 书目名称 | The Sociolinguistics of Hip-hop as Critical Conscience | | 副标题 | Dissatisfaction and | | 编辑 | Andrew S. Ross,Damian J. Rivers | | 视频video | | | 概述 | Focuses exclusively on the use of the hip-hop genre as a form of resistance that emerges from the critical conscience of both artists and fans, the first book to do so.Looks at hip-hop music and cultu | | 图书封面 |  | | 描述 | This book adopts a sociolinguistic perspective to trace the origins and enduring significance of hip-hop as a global tool of resistance to oppression. The contributors, who represent a range of international perspectives, analyse how hip-hop is employed to express dissatisfaction and dissent relating to such issues as immigration, racism, stereotypes and post-colonialism. Utilising a range of methodological approaches, they shed light on diverse hip-hop cultures and practices around the world, highlighting issues of relevance in the different countries from which their research originates. Together, the authors expand on current global understandings of hip-hop, language and culture, and underline its immense power as a form of popular culture through which the disenfranchised and oppressed can gain and maintain a voice. This thought-provoking edited collection is a must-read for scholars and students of linguistics, race studies and political activism, and for anyone with an interestin hip-hop. | | 出版日期 | Book 2018 | | 关键词 | discrimination; prejudice; vernacular; race; hip hop and identity; discourse analysis; protest; political a | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-319-59244-2 | | isbn_softcover | 978-3-319-86579-9 | | isbn_ebook | 978-3-319-59244-2 | | copyright | The Editor(s) (if applicable) and The Author(s) 2018 |
The information of publication is updating
|
|
发表于 2025-3-21 18:56:13
