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Titlebook: The Reasonable Audience; Theatre Etiquette, B Kirsty Sedgman Book 2018 The Editor(s) (if applicable) and The Author(s), under exclusive lic

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发表于 2025-3-21 19:40:55 | 显示全部楼层 |阅读模式
书目名称The Reasonable Audience
副标题Theatre Etiquette, B
编辑Kirsty Sedgman
视频video
概述Demonstrates the contemporary performance of power differentials within the audience themselves.Conducts a nuanced analysis of the language used in online theatre etiquette blogs and articles.Critique
图书封面Titlebook: The Reasonable Audience; Theatre Etiquette, B Kirsty Sedgman Book 2018 The Editor(s) (if applicable) and The Author(s), under exclusive lic
描述Audiences are not what they used to be. Munching crisps or snapping selfies, chatting loudly or charging phones onstage – bad behaviour in theatre is apparently on the rise. And lately some spectators have begun to fight back….The Reasonable Audience. explores the recent trend of ‘theatre etiquette’: an audience-led crusade to bring ‘manners and respect’ back to the auditorium. This comes at a time when, around the world, arts institutions are working to balance the traditional pleasures of receptive quietness with the need to foster more inclusive experiences. Through investigating the rhetorics of morality underpinning both sides of the argument, this book examines how models of ‘good‘ and ‘bad‘ spectatorship are constructed and legitimised. Is theatre etiquette actually snobbish? Are audiences really more selfish? Who gets to decide what counts as ‘reasonable’ within public space?Using theatre etiquette to explore wider issues of social participation, cultural exclusion, and the politics of identity, Kirsty Sedgman asks what it means to police the behaviour of others..
出版日期Book 2018
关键词West End; Broadway; Black Lives Matter; Privilege; Cultural prejudice; Audience; Behaviour; Etiquette
版次1
doihttps://doi.org/10.1007/978-3-319-99166-5
isbn_ebook978-3-319-99166-5
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerl
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发表于 2025-3-21 21:34:17 | 显示全部楼层
used in online theatre etiquette blogs and articles.CritiqueAudiences are not what they used to be. Munching crisps or snapping selfies, chatting loudly or charging phones onstage – bad behaviour in theatre is apparently on the rise. And lately some spectators have begun to fight back….The Reasonabl
发表于 2025-3-22 00:25:19 | 显示全部楼层
decide what counts as ‘reasonable’ within public space?Using theatre etiquette to explore wider issues of social participation, cultural exclusion, and the politics of identity, Kirsty Sedgman asks what it means to police the behaviour of others..978-3-319-99166-5
发表于 2025-3-22 05:13:48 | 显示全部楼层
Book 2018ed. Is theatre etiquette actually snobbish? Are audiences really more selfish? Who gets to decide what counts as ‘reasonable’ within public space?Using theatre etiquette to explore wider issues of social participation, cultural exclusion, and the politics of identity, Kirsty Sedgman asks what it means to police the behaviour of others..
发表于 2025-3-22 11:01:32 | 显示全部楼层
Kirsty SedgmanDemonstrates the contemporary performance of power differentials within the audience themselves.Conducts a nuanced analysis of the language used in online theatre etiquette blogs and articles.Critique
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https://doi.org/10.1007/978-3-319-98643-2actors to be considered in this private BCA include (1) the increasing demand for poultry meat in China and other Asian countries with rising incomes; (2) the demand for the wide range of chicken parts in China; (3) the cost savings of raising chickens in China, including lax environmental regulatio
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,Die Züchtung von versetzungsarmen Kupfer-Kristallen nach dem Bridgman-Verfahren im weichen Tiegel,hten Weite von 60 mm. Ohne Tiegel hat der Ofen — bei einer Maximaltemperatur von 1150°C in Ofenmitte — an der Stelle, wo die Temperatur auf 1083°C abgefallen ist (Schmelzpunkt des Kupfers) einen Temperaturgradienten von 10°C/cm. Zur Temperaturregelung wird ein Fallbügelregler benutzt. Dieser ermögli
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