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Titlebook: Surrealism, Cinema, and the Search for a New Myth; Kristoffer Noheden Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Surre

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发表于 2025-3-21 18:12:11 | 显示全部楼层 |阅读模式
书目名称Surrealism, Cinema, and the Search for a New Myth
编辑Kristoffer Noheden
视频videohttp://file.papertrans.cn/883/882638/882638.mp4
概述The only study that systematically relates post-war surrealist cinema to the specific development of surrealism in the postwar era.Interrogates Western esotericism through an interdisciplinary approac
图书封面Titlebook: Surrealism, Cinema, and the Search for a New Myth;  Kristoffer Noheden Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Surre
描述.This book examines post-war surrealist cinema in relation to surrealism’s change in direction towards myth and magic following World War II. Intermedial and interdisciplinary, the book unites cinema studies with art history and the study of Western esotericism, closely engaging with a wide range of primary sources, including surrealist journals, art, exhibitions, and writings. Kristoffer Noheden looks to the Danish surrealist artist Wilhelm Freddie’s forays into the experimental short film, the French poet Benjamin Péret’s contribution to the documentary film .L’Invention du monde., the Argentinean-born filmmaker Nelly Kaplan’s feature films, and the Czech animator Jan Svankmajer’s work in short and feature films. The book traces a continuous engagement with myth and magic throughout these films, uncovering a previously unknown strain of occult imagery in surrealist cinema. It broadens the scope of the study of not only surrealist cinema, but of surrealism across the art forms..Surrealism, Cinema, and the Search for a New Myth. will appeal to film scholars, art historians, and those interested in the impact of occultism on modern culture, film, and the arts..
出版日期Book 2017
关键词Surrealist Cinema; Post-war Cinema; Occultism; Esotericism; Primitivism
版次1
doihttps://doi.org/10.1007/978-3-319-55501-0
isbn_ebook978-3-319-55501-0
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
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发表于 2025-3-21 23:26:34 | 显示全部楼层
https://doi.org/10.1007/978-3-319-55501-0Surrealist Cinema; Post-war Cinema; Occultism; Esotericism; Primitivism
发表于 2025-3-22 00:53:33 | 显示全部楼层
The Editor(s) (if applicable) and The Author(s) 2017
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发表于 2025-3-22 09:44:06 | 显示全部楼层
Kristoffer NohedenThe only study that systematically relates post-war surrealist cinema to the specific development of surrealism in the postwar era.Interrogates Western esotericism through an interdisciplinary approac
发表于 2025-3-22 14:04:18 | 显示全部楼层
Book 2017the scope of the study of not only surrealist cinema, but of surrealism across the art forms..Surrealism, Cinema, and the Search for a New Myth. will appeal to film scholars, art historians, and those interested in the impact of occultism on modern culture, film, and the arts..
发表于 2025-3-22 18:13:47 | 显示全部楼层
metaphysical . concerning the views we argue for. Hence, the sui generis character of Categorical Monism defended here, which is . and . true. Based on the metaphysically contingent Categorical Monism (in particular, the corollary that dispositionality and categoricality are metaphysically contingen
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发表于 2025-3-23 08:52:11 | 显示全部楼层
Kristoffer Nohedenrocesses, Part 3 focuses on three very diverse themes of the debate; health, urban sustainability, and data. I trace the key conceptual issues that were under discussion within each, noting the topics under debate and the supporters and adversaries of each. This kind of detailed thematic analysis is
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