Titlebook: Style in British Television Drama; Lez Cooke Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 2013 bibliography.dr

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Introduction,al analyses, with an emphasis on audiences, genre, politics and representation, or ‘literary’ analyses of authorial themes in the work of particular writers. Whereas the analysis of narrative form and visual style has been central to film studies, it has been more marginal in television studies. Thi

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(ITV, 1960),ning six years, however, much had changed in British television. . was produced by Granada Television, one of the Independent Television (ITV) companies that began broadcasting in the mid- to late 1950s, providing commercial competition for the BBC. With its network of 15 regional companies coming o

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(BBC2, 1994),ure in the 1990s. After an avalanche of historical dramas and literary adaptations in the 1970s, following the switch to colour TV, and a recasting of the genre as ‘heritage’ drama in the 1980s, the 1990s saw a revival of classic literary adaptations on the BBC as the corporation engaged in a renewe

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(BBC2, 1999),of the stipulations of the 1990 Broadcasting Act was that both the BBC and ITV should take at least 25 per cent of their programmes from independent production companies and it may be no coincidence that, with a new attitude and approach to drama production, independent production companies were in