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Titlebook: Structure and Dissolution in English Writing, 1910–1920; Stuart Sillars Book 1999 Stuart Sillars 1999 bibliography.English.exile.knowledge

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书目名称Structure and Dissolution in English Writing, 1910–1920
编辑Stuart Sillars
视频video
图书封面Titlebook: Structure and Dissolution in English Writing, 1910–1920;  Stuart Sillars Book 1999 Stuart Sillars 1999 bibliography.English.exile.knowledge
描述This book explores key texts - Howards End , The Rainbow , and the poetry of Owen, Sassoon and Edward Thomas - to show the mingled continuation and rejection of convention as their characteristic achievement, exploring features often seen as failures. It also discusses the writing‘s increasing concern with the inadequacies of language, seeing it within the frame of contemporary society and deconstructive theory, and attempting to locate them in relation to high Modernism.
出版日期Book 1999
关键词bibliography; English; exile; knowledge; language; Modernism; poetry; society; structure; tradition; writing
版次1
doihttps://doi.org/10.1007/978-1-349-27664-6
isbn_softcover978-1-349-27666-0
isbn_ebook978-1-349-27664-6
copyrightStuart Sillars 1999
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发表于 2025-3-21 21:21:04 | 显示全部楼层
https://doi.org/10.1007/978-1-349-27664-6bibliography; English; exile; knowledge; language; Modernism; poetry; society; structure; tradition; writing
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and the Dislocation of Narrative, the period — even though, as I shall later show, it addresses many of the age’s main concerns — but rather in the sense that it demonstrates that duality of assertion and retreat, continuation and refusal, that I have claimed as the basic mode of so much writing of the time.
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Language Beneath Words: Edward Thomas,us man’. exhausted by an alien city life and the mechanism of ceaseless book-reviewing found great resonance as a myth of exclusion. Along with the publication of Helen Thomas’s volumes of memoirs, its result was to throw interest away from the texts and back onto the struggle to achieve them. In th
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An Epilogue on Modernism,ative poetry or — increasingly — as a key element in the growth of nature writing; Owen (until very recently) and Sassoon (still) are figures regarded more in the light of history than literature. Yet if all of these exemplify the kinds of structural denials and instabilities discussed in the previo
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