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Titlebook: Storytelling in the Digital Age; W. S. Penn Book 2013 W. S. Penn 2013 culture.humour.poet.time

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楼主: Embolism
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Simplifying Our Days,barbarism use the excuse that she is “only” 14 and thus may not have had History, yet. This excusing takes many forms and, as a professor, I am probably a part of what gets excused. But if we continue to excuse failure (the silly educationists telling us that little failures need “feedback intervent
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Weary Work,people the idea that their children, husbands, and wives don’t matter as much as those cubicles or manufacturing production lines; “they” surreptitiously help us make a world in which time seems to go faster and meaning has to be snatched from the jaws of context, as context—you in a situation in re
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Inversions,he vanishing moments of reputation and power that come with inventing the piano key necktie.. Without an understanding, a mindful employment and usability of the frameworks of time—characters’ chronology within story-time, story-time against larger historical, epochal, or Horological Times—the horiz
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In a Hole in the House of the Famous Poet,tenberg and computers, incredibly and almost fantastically adept at using tools to discover finer, smaller, vastly more related connections and interactions as the world of which he may be aware (but in his drunken laziness is not) and begin to reduce his horizons of time from the universe back down
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,Afterword: Remembering What We Don’t Know We’ve Lost,nd like to be busy about little or nothing so that they may achieve the superficial sense of having “done” something in the course of their day. We stood up, maybe in line for fast food or other nutritionless food or maybe just waiting for the DMV worker to finish paring her fingernails (like a god)
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The Life of Swans,pleased or the danger had been escaped. The thrower-away wears the masks of social acceptability and does a job that would horrify or alarm most people, even those who recognize the landfills of bureaucracy that threaten us and our environments.
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