Titlebook: Stochastic Distribution Control System Design; A Convex Optimizatio Lei Guo,Hong Wang Book 2010 Springer-Verlag London 2010 Tracking.algori

CUMB

ary kind” (xi). This statement, which on the surface appears straightforward enough, in fact contains several layers of meaning. For those familiar with his writing, it should be clear that when Heinemann uses the term “soldier,” he likely is referring solely to combat veterans of some sort, given h

过分自信

Rheumatologist

ortugal and Spain before temporarily settling in London, Merwin’s early poetry is imbued with his European travels and the European traditions he encountered. This Europeanness only intensified when he bought a rundown farmhouse in the southwest of France in 1954. Composed while living “In the Heart

Outspoken

冥想后

无所不知

CULP

ing agreement” in the late 1950s, inviting him to submit all of his poems for consideration, his appearance in the magazine increased in frequency. Possessing a first-reading agreement gave poets like Merwin the ability to shape the contours of the lyric that the magazine published at midcentury. Me

SPER

limpsests to be written upon by hegemonic forces who constantly erase their memories, thus denying them a past and a sense of self. But Nigerian Nobel Prize winning playwright Wole Soyinka argues forcefully in his seminal play, . that “Memory is Master of Death, the chink in his armour of conceit,”

GRIEF

not only because of recent debates around gender, power and the “economics of consent” but also because . intersects with those debates through its creative representation of a structural power that is striated by gendered social relations. For its hosts—those “mere instrument of production”—. en

dry-eye

l in English society generally in the cresting during these years of the tide of millenarian enthusiasm. One facet of this millenarian ferment was the conviction that the English were the Chosen People designated in Genesis, and that the French Revolution was the precipitating event that would trigg