Titlebook: Stevie Smith; Between the Lines Romana Huk Book 2005 Palgrave Macmillan, a division of Macmillan Publishers Limited 2005 Modernism.novel.po

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Introduction,than thirty years after her acceptance of the Queen’s Gold Medal for Poetry and her death shortly thereafter, Stevie Smith has most often been classified as an enigma. Her tragicomic poems have dumbfounded her admirers as well as her detractors with their seemingly simple speaking voices infiltrated

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,The Trilogy’s Take-off in the Thirties: A Close-Cultural Reading of ,t is wholly aboveboard about its new procedures and even audacious in its announcement of what it will critique, as well as which topical discourses, attitudes, texts and thinkers it will snarl into its speaker’s own complicit speech in scary demonstration of the highly ‘overwritten’ nature of her c

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,The Trilogy’s Take-off in the Thirties: A Close-Cultural Reading of ,something risky and innovative. Certainly they should have been enough to signal that she was . an ‘eccentric’ using newly fashionable techniques to confess her own personal oddities in autobiography, but rather a sniper tucked into the very heart of contemporary culture, taking constant aim at herself as well.

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,Between Waving and Drowning: Stevie Smith’s Poems, Stories and Radio Play,. War offers, as we have seen, terrible and ultimately self-destructive distraction from the isolation of the spirit that has been failed by, and . failed as a result of, Europe’s religious and philosophical soul being ‘sold out’, made cost-effective in ‘successful endeavour’ translated into the languages of commerce and war.