Titlebook: Staging Modern American Life; Popular Culture in t Thomas Fahy Book 2011 Thomas Fahy 2011 culture.history of theatre.technology.theatre

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https://doi.org/10.1057/9780230339590culture; history of theatre; technology; theatre

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,“I Cannot , without a Macaroon!”: Food, Hunger, and the Dangers of Modern American Culture in Edna which were an integral part of her family life. As biographer Nancy Milford explains, Millay “began to perform at the same age she began to write, and her early involvement was prompted and sustained by her mother’s passionate interest” (9). These dual interests intensified throughout her life, and

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,“Damn Everything But the Circus!”: The Ambiguous Place of Popular Culture in E. E. Cummings’ ,mbing a tree,” he wrote excitedly in his diary that night.. This experience left an indelible mark on Cummings, beginning a lifelong passion for the big top, sideshows, and wide range of popular amusements. As biographer Richard S. Kennedy notes, the young Cummings relished family outings to the cir

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Planes, Trains, and Automobiles: Technology and the Suburban Nightmare in the Plays of John Dos Pasng journeys by steamship and rail. The sights and sounds of a crowded city block, hotel lobby, bustling wharf, and busy thoroughfare signaled home for Dos Passos. This type of landscape not only characterizes much of his fiction, but it also helps explain some of his interest in the theatre, which p

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,“I Cannot , without a Macaroon!”: Food, Hunger, and the Dangers of Modern American Culture in Edna r, acting the lead in Vassar’s sophomore party play, receiving the 1916 intercollegiate prize for her poem “The Suicide,” writing plays for a university drama course, and publishing her first book, . (1917).