Titlebook: Stage Designers in Early Twentieth-Century America; Artists, Activists, Christin Essin Book 2012 The Editor(s) (if applicable) and The Aut

变色龙

Christin Essinondition showed a significant indirect effect on comfort through subjective perception. Statistical modelling showed that subjective perceptions on microclimate condition and comfort are moderated by various aspects of environmental quality. The findings help inform future design for climate resilie

不能根除

Christin Essin urban densities on the thermal comfort improvement potential by eight common tree species in Hong Kong was specifically studied. Results show that shallow canyons are susceptible to worse thermal condition when compared to their deeper counterparts with similar aspect ratio value. Of all tree confi

Memorial

Christin Essinareas are exposed to intense solar radiation, especially along the sunlit walls where high . is observed due to reflected shortwave radiation and longwave radiation emitted from the sunlit building walls. The present study confirms that there are great potential in using urban geometry to mitigate h

MOCK

琐事

激怒

k pepper. The cost sheets will help an entrepreneur in coming to a fair deal with the traders during the procurements. When it comes to choosing a procurement market, the proprietor should understand its capability and standards to satisfy the goals of the enterprise.

天气

The Designer as Activist, large-scale scenery for the pageant, but also the publicity image printed on posters and programs, a forceful symbol of worker solidarity (see fig. 3.1). Later adopted by the IWW to publicize subsequent events, the image became an icon of the US labor movement and its struggle to secure workers’ rights during the early twentieth century.

candle

The Designer as Entrepreneur, and opera designer specializing in Art Nouveau styles. Each of these occurrences brought Continental influences to Boston audiences, but the last, arguably, had the most significant impact on the American theatre industry’s adoption of New Stagecraft practices and the public’s perception of modern design.

记成蚂蚁

itinerary

Introduction: Design as Cultural History,viduals worked behind the scenes to create stage decors, they would not have been able to identify them in the same way as they would artists who displayed in galleries and museums. The repetition of decorative scenic backdrops and bourgeois drawing rooms seen on Broadway stages gained little notice