Titlebook: Speed and Flight in Shakespeare; Matthew Steggle Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive license to Spr

APEX

沟通

Taking Flight in , them to create both illusions of speed, and, in a much more focussed way, illusions of gravity-defying flight. This onstage imagery feeds on and feeds into a set of ideas in the language which are all to do with ideas of moving so fast that one might fly; and with narrative techniques which also se

farewell

arrhythmic

The Action of the Tiger: , and ,its audience, also runs them together with a central character who is himself repeatedly constructed as too fast for those around him. The play’s “breakneck” speed is concentrated in Richard, whose obsession with what he calls “fiery expedition” enables his temporary success. The second tetralogy go

ACTIN

Femish

Free Flight: ,tion of states of extreme speed and flight. One context for this is that Shakespeare’s other plays after . continue to experiment and innovate with various forms of rapidity, often mixing up temporal sequence and physical movement in their images of speed and flight. Another relates to the question

PAGAN

Vertebra

stressors

Anguish