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Titlebook: Speculative Geographies; Ethics, Technologies Nina Williams,Thomas Keating Book 2022 The Editor(s) (if applicable) and The Author(s), under

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Becoming Listening Bodies: Sensing the Affective Atmospheres of the City with Young Childrenons as atmospheric devices to disrupt the cloistered educational spaces of a local university campus. In theorising the use of sound walks to sense and modulate affective atmospheres, our analysis smudges conventional boundaries between body and environment, listening and sounding, teaching and learning.
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Foley and Fabulation: The Production of Screams, Sound, and Subjectivity in Peter Strickland’s d, erased and remade. Everything that Gilderoy hears we hear too—.’s audio is completely diegetic, originating from the on-screen ‘reel’ world of the film. Through a manipulation of screams, slashes, and sore throats, both Gilderoy and its audience become transformed by the . seeping out of the sound studio.
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The Ecosophic Act of Feeling: Poetry, Animism and Speculative Thoughtulates on the production of ethico-aesthetic subjectivities under what Guattari termed the new aesthetic paradigm. It argues for the speculative gesture of art as an immanent and experimental composition that affirms the present as a way to begin renewing our attachment to this world.
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Speculative Reproductionural and economic practices of speculation. It brings together visions of reproductive futures and the financial dimensions of speculation at work in the human reproductive bioeconomy. In doing so, the chapter signals how speculative reproduction calls for a temporal reorientation to the materiality of the body and its imagined limits.
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Redreaming the Human and the Ethics of Terraformationintensity. But the end of the world is not news. For those whose bodies have been the objects of exploitation, and environments that have been the objects of extraction, apocalypse is not an event but a structure, not a sudden catastrophe but a chronic condition. Humans must make a radical change in
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