Titlebook: Spatial Representations and the Jacobean Stage; From Shakespeare to Russell West Book 2002 Palgrave Macmillan, a division of Macmillan Pub

磨碎

Masterless Men and Shifting Knavery: Demographic Mobility,rs of the realm fused in an extraordinary meeting of internal and external travel. And it was in the London theatres that the most intense representations of mobility, both internal and external, were portrayed and, to the great concern of contemporaries, embodied.

Vasodilation

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斑驳

Stage-space in the Jacobean Age,ne of the protagonists of the play. The speaker’s companion demures at this assessment: ‘You speak him far.’ To which the first speaker ripostes, ‘I do extend him, sir, within himself; | Crush him together rather than unfold | His measure duly’ (1.1.24–7). The homage offered to the unfortunate Posth

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The Dumb God: Money as an Engine for Mobility,y tended to break relentlessly into the charmed world of the masque — whether in the form of allusions to court corruption, or in disparaging comments about the commercial world without. But what does money have to do with space, and with stage-space? The grand old man of spatial theory, Henri Lefeb

GUMP

Mean Persons and Counterfeit Port: Social Mobility,onomy invested individuals and social groups previously subordinated in late medieval society with new forms of social independence and power. The incipient dynamics of capitalism dissolved hitherto stable relationships between individual and family, community, and social estate. The growth of popul

narcotic

Masterless Men and Shifting Knavery: Demographic Mobility,ompetitive individualism, towards new horizons. This increasingly accelerated and expansive geographical impulse will be addressed in this book under several categories: that of mobility within England, in this chapter, and that of mobility beyond English shores in the following chapter. As the exem

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Travelling Thoughts: Travel on the Stage,h until recently it was necessary to cross by boat in order to reach the city, functions as a ‘semiotic caesura’ making it possible for Venice to play the role of city as ‘representation’ or ‘spectacle’.. For early modern travellers, the sea voyage constituted a similar semiotic and epistemological

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Local Thought: Intellectual and Subjective Mobility,no less significant. In Shakespeare’s Coriolanus, Menenius admonishes the short-sighted and hypocritical old tribunes Brutus and Sicinius: ‘0 that you could turn your eyes towards the napes of your necks, and make but an interior survey of your good selves!’ (2.1.37–9). Moments later, he refers to h