Titlebook: Space, Place, and Gendered Violence in South African Writing; Sorcha Gunne Book 2014 Sorcha Gunne 2014 gender.violence.writing

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Space, Place, and Gendered Violence in South African Writing

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Introduction: Gendered Violence, Liminality, and South African Writing,y of ownership, one that is concerned with the right to own one’s pain and the power of narration, is expressed in the second quote above where significantly the story of Lucy’s rape visits shame on her, nonetheless it belongs not to her, but to her rapists. This type of symbolic ownership, of cours

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Introduction: Gendered Violence, Liminality, and South African Writing,ker prize-winning . (1999) attracts most attention for its problematic depiction of race and racial relations between white and black South Africa in the transition to post-apartheid—this is true even with regard to the controversy surrounding the depiction of Lucy’s rape.. There is, however, also a

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Writing Prison and Political Struggle,dition of prison, where to be imprisoned is to be neither alive nor dead, but to be in a state inbetween—to be buried alive or alternatively a dead person walking. Prison, broadly speaking, is a place of invisibility, what, in a different context, Jonny Steinberg calls a “world of shadows” (2004, p.