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使成整体

Vulnerable

Harmonic Analysis of Random Walks on the Daisy Library Graph,stance. One wants to study the canonical random walk on ., in which a particle starts from a given vertex .. ∈ . at . = 0 and then jumps from any vertex . to any of its .. nearest neighbours with uniform probability (..)..

商议

yond the ‘push and pull‘ framework that has dominated studies of this phenomenon, this collection instead looks at African transnational migrations against the backdrop of rapid and intensifying globalization.978-1-349-34169-6978-1-137-01196-1

条约

Bitcoin Decentralized Virtual Currency,ntation, many works approach these two tasks simultaneously and leverage the benefits of multi-task learning. However, most of them only considered simple strategies such as element-wise feature fusion, which may not lead to mutual promotion. In this work, we build a Bi-Directional Attention module

semiskilled

Particulate Matter, Turbidity, and Color,rrangements on the basis of alternative practices organized around normative values like democracy, autonomy, participation, equality, and solidarity. This chapter investigates how ideologies help cooperatives resist dominant institutional patterns and preserve their distinctiveness over time. In or

Fecal-Impaction

Leonardo Ferreira,Álvaro Câmara,Daniel Castro Silva tion and acquaintance with quite advanced mathematical techniques and structures. But semantics isn‘t mathematics. These techniques and structures are tools that help us build semantic theories. Our real aim is to understand semantic phenomena and we need the technique to make our understanding of

ARY

Avinash Kumar,K. Kalaiselvitures and communication-deficient connexin-transfected cell lines (.). Over the past 10 years, dual whole-cell recordings of junctional currents have contributed significantly to our understanding of the conductance and gating of gap junctions formed by one or more connexins. Only recently have dire

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Cerebrovascular

n the market after its exhibition at the Grosvenor Gallery in 1882. Supposedly he turned down the offer with a shudder and a polite ‘I don’t think I could bear to live with it’ (Elton, 1906, vol. 1, pp. 158–9). Rodin’s casts of the man with the broken nose soon found their way into the aesthetic int