Titlebook: Sound Clash; Jamaican Dancehall C Carolyn Cooper Book 2004 Carolyn Cooper 2004 culture.energy.society

拖累

书目名称Sound Clash影响因子(影响力)




书目名称Sound Clash影响因子(影响力)学科排名




书目名称Sound Clash网络公开度




书目名称Sound Clash网络公开度学科排名




书目名称Sound Clash被引频次




书目名称Sound Clash被引频次学科排名




书目名称Sound Clash年度引用




书目名称Sound Clash年度引用学科排名




书目名称Sound Clash读者反馈




书目名称Sound Clash读者反馈学科排名

Deadpan

GNAT

re, often devalued as mere ‘noise,‘ articulates a complex understanding of the border clashes which characterize Jamaican society, and analyzes the sound clashes that erupt in the movement of Jamaican dancehall culture across national borders.978-1-4039-6424-3978-1-4039-8260-5

Limpid

,“More Fire”,est against the politics of appropriation. If Marley were alive today, he probably would be singing the very same range of songs as he did before he was cut down prematurely—songs chanting down Babylon in its many guises, and songs of love and reconciliation.

彻底明白

Introduction: Word, Sound, and Power, the currency of the local. Indeed, the culture-specific nature of these “global” discourses is not readily conceded. Globalization, that cunning euphemism for the old imperial politics of appropriation and exploitation, resonates differently across the globe even as an economic system. Globalizatio

Cabg318

Border Clash, for power in a wide range of spheres of influence. In its narrowest sense, the dancehall clash denotes the onstage competition between rival DJs and sound systems contending for mastery before a discriminating audience. More broadly, the clash is not just the performance event but becomes a trencha

鬼魂

Slackness Personified,ticulators of the cultural values embedded in roots reggae and its dancehall flowering—Marley far more so and far more enduringly than Gordon. Conventional wisdom in Jamaica, manifested in the popular press and on numerous talk-show programs, valorizes Bob Marley’s politically charged reggae lyrics

忧伤

freight

intelligible