Titlebook: Some Aspects of Hadewijch’s Poetic form in the ‘Strofische Gedichten’; Tanis M. Guest Book 1975 Springer Science+Business Media Dordrecht

Fluctuate

The Stanza,s.* In forty-three of the forty-five Strofische Gedichten she uses stanza-forms similar to, and in some cases identical with, those of the troubadours; for instance, S.G. . employs the same rhyme-scheme, ab / ab / cdcd, as one of the finest songs of Bernart de Ventadour, “Quan vey la lauzeta mover”.

丰满中国

tic-douloureux

启发

Myelin

jagged

Aspects of Internal Form,. Until now we have dealt piecemeal with the various elements of the poems; we have now, in conclusion, to put the pieces together and consider the poems as a whole. In the Supplement I shall take two poems and try to show how the various devices are interwoven to form a harmonious whole; but before

Slit-Lamp

CLOUT

Repetition,me-forms, to strengthen the structural unity of the poem or to heighten tension or add emphasis to some part of it. Repetition is one of two main weapons in Hadewijch’s armoury here, the other being contrast, to be discussed in Chapter vi; both are deployed in a variety of ways.

Intractable

Psychology and Style: Contrast, Paradox, and Other Features,few of the Strofische Gedichten which do not contain one or the other in some form. They are frequently found in conjunction with other devices, most commonly one of the varieties of repetition discussed in the previous chapter.

Dawdle

Aspects of Internal Form,ems as a whole. In the Supplement I shall take two poems and try to show how the various devices are interwoven to form a harmonious whole; but before that it is necessary to make a few general remarks.