Titlebook: Society, Culture and the Auditory Imagination in Modern France; The Humanity of Hear Ingrid Sykes Book 2015 Ingrid Sykes 2015 Hearing.Franc

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Introduction,pose in mind, society as a whole could not fail to remain good. At this stage in history, hearing was about connecting to another reality, one of higher purpose. Perceiving another person’s words was not enough. Hearing was about focusing oneself on moral transformation, rising above the bad emotion

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Medicine, Science and the Auditory Imagination,gical statements, however. Rather, they were the first step in a much more formal and extended process of integrating the human individual into a larger constructed space of an ethical social experience. Philosophers who commented on the meaning of human hearing were attempting to find practical way

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Hearing and Spaces of Medical Care,medical culture. “The gaze” is the term used by the author to describe the way in which French doctors of the eighteenth century began to contemplate the bodies of their patients and the spaces of their hospitals and clinics. Foucault writes:.Thomas Osborne responded to Foucault’s concept in 1994:

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Medicine, Science and the Auditory Imagination,ndividual was caught in a complex relationship with sound by describing the environment solely in terms of sonic objects. The anatomist Joseph Duverney identified the physiological structure of the ear as a site transcending expected boundaries of space and time.

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