Titlebook: Slavoj Zizek and Dialectical Materialism; Agon Hamza,Frank Ruda Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Slavoj i ek

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Natural Worlds, Historical Worlds, and Dialectical Materialism,e sort of orbit this problem without articulating it explicitly. So, to put it explicitly, here it is. A defining feature of any Lacanian materialism is its ontological application of the claim . which, obviously, must be read as a thesis about a fundamental nonrelation. In Žižek’s work and in that

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Dialectical Materialism and the Dangers of Aristotelianism,nities in London, Slavoj Žižek presented his paper as the last speaker. He presented some of the arguments that he afterward turned into the argumentative kernel of chapters two and three of his . In the discussion following his lecture, someone from the audience raised a critical question that soug

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Afterword: Objects, Objects Everywhere,subject is correlative with modernity (recall Lacan s thesis about the Cartesian subject as the subject of modern science), we can also say that ooo follows the premise rendered by the title of Bruno Latour’s famous book, .—it endeavors to bring back the pre-modern enchantment of the world. The Laca

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,Dialectic at Its Impurest: Žižek’s Materialism of Less Than Nothing,ng “new materialisms” rightfully triggers ironiz-ing responses. Hence, it is all the more curious that Slavoj Žižek should consciously place his philosophical project under the “anachronistic” banner of “dialectical materialism.” Along these lines, . (2012), Žižek’s magnum opus, bears the subtitle ., while his recent . (2014) is subtitled

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,Materialism without Materialism: Slavoj Žižek and the Disappearance of Matter,ons. As is to be expected, he pursues this via his characteristic blend of German idealism and psychoanalysis, utilizing the work of G. W. F. Hegel and Jacques Lacan in order to creatively update dialectical materialism.

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Natural Worlds, Historical Worlds, and Dialectical Materialism,of other Lacanian materialists, this becomes a thesis about a fundamental division at the very heart of things, a sort of fault in our stars. “There is no peace, even in the void,” as Žižek puts it at the end of

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