Titlebook: Slapstick and Comic Performance; Comedy and Pain Louise Peacock Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited 20

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书目名称Slapstick and Comic Performance影响因子(影响力)




书目名称Slapstick and Comic Performance影响因子(影响力)学科排名




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书目名称Slapstick and Comic Performance网络公开度学科排名




书目名称Slapstick and Comic Performance被引频次




书目名称Slapstick and Comic Performance被引频次学科排名




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objection

panorama

Gobble

What is Slapstick?in .. However, the question of exactly what slapstick is, has still not been addressed in existing literature. As the concept is central to this book, before we go any further it will be helpful to establish a working definition of what is meant by the term slapstick. This in itself is no mean feat.

MINT

Structures and Techniques of Slapstickpts identified in the previous chapter. There is, however, another key element that needs to be considered and that might best be identified by the term ‘the dynamics of slapstick’. This term refers firstly to the performance and production choices made in relation to the number of performers involv

努力赶上

Vulnerable

ARBOR

Random Pain: Objects and Animalsself-inflicted. However, a wide range of examples from theatre, film and television also demonstrate that not all pain is caused by other humans. Sometimes, both in life and performance, pain is caused by objects that do not behave in the ways that we expect or could have predicted. When objects cau

nutrients

Intentional Painugh at someone’s pain in real life is likely to provoke a feeling of unease in the moment of laughing or guilt after the fact. If we see somebody slipping on ice we may laugh at the contortions of their body. We may laugh as they hit the ground, partly as a release of tension. In such a situation th

传染

Real Painin the way they are presented after the event. The ways in which they are presented create a comic frame through which they can be judged as examples of slapstick. Techniques used to do this, which will be explored more fully in this chapter, include commentary, onscreen audience, camera techniques