Titlebook: Skin, Culture and Psychoanalysis; Sheila L. Cavanagh,Angela Failler,Rachel Alpha Joh Book 2013 Palgrave Macmillan, a division of Macmillan

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From the Skin Ego to the Psychic Envelope: An Introduction to the Work of Didier Anzieu,ue approach to human subjectivity, Anzieu sees the body’s surface—its skin—as a crucial constituent of the mind’s structures and functions. As biographer Catherine Chabert (1996) points out, Anzieu’s work on skin and subjectivity has won him widespread recognition as one of France’s most important p

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Comedic Skin Eruptions: A Psychoanalytic Reading of Austin Powers,lf as a bit of the Real, a bump, lesion or discoloration emerges as an anomaly, waiting to be marked and given meaning in the world of signifiers. The skin, then, has the power to portend that something has gone terribly wrong, and so we readily submit it to the scrutiny of medical science. When we

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,The Red Thing: Fabrics and Fetishism in Nella Larsen’s ,lmost whimsical; I envision an idea slipping in or out of its attire, mindful of dress codes, adjusting uneven hems. Like any metaphor, it is not a perfect analogy: where skin may be entirely divested of material, an idea cannot be seen at all until draped by the material—particularly language—provi

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,Writing Skin: Esthetics and Transcendence in Junichirō Tanizaki’s “The Tattooer”,rsatility of themes compared to his contemporaries. While many writers who gained prominence during the Meiji Period (1852–1912) saw a steady decline in their art and influence toward the end of their careers,. Tanizaki’s deftness in moving “from subject matter to subject matter” continues to fascin

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The Skin-Textile in Cosmetic Surgery,n and customization, this fantasy promises a body that is infinitely transformable and customizable. Within late capitalist postmodern societies of the West that value private enterprise and consumer choice, this is a salient fantasy that consists of the desire to eliminate emotional suffering throu

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Narrative Skin Repair: Bearing Witness to Mediatized Representations of Self-Harm, this “dermatological horror” contained graphic imagery of self-harm including the protagonist tearing at, sucking on and eating her own, self-inflicted flesh wounds.. She then proceeded to show clips from scenes she felt were “least explicit.” Upon the first, three members of the already small audi

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Split Skin: Adolescent Cutters and the Other,cted scars do tell a story that places cutting, or self-mutilation as it may be referred to more broadly, in the complicated realm of psychic interdependence as opposed to solipsistic internal aggression. When her scars are read as a representative story revealing the permeable borders between self

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Disrupting the Skin-Ego: See-Sickness and the Real in ,rable limit of our bodies. As much as we try to protect our skin, we also often work to remove boundaries so that we can open ourselves to contact and create intimacy. Skin is that horizon from which we each live the relationship with ourselves, others and the world around us. Each of us live our sk

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