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Titlebook: Six Restoration and French Neoclassic Plays; David Thomas (Professor of Theatre Studies) Textbook 1998Latest edition The Editor(s) (if app

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书目名称Six Restoration and French Neoclassic Plays
编辑David Thomas (Professor of Theatre Studies)
视频videohttp://file.papertrans.cn/869/868119/868119.mp4
概述Fully annotated texts of six widelystudied plays.. A detailed introduction sets the plays in their contemporary context and provides biographic details of the playwrights.
图书封面Titlebook: Six Restoration and French Neoclassic Plays;  David Thomas (Professor of Theatre Studies) Textbook 1998Latest edition The Editor(s) (if app
描述This edition offers an ideal introduction to the plays and theatre of the late seventeenth century in both England and France.It brings together key texts exploring the themes of sex, marriage and society.The English play texts are based on first editions, while those of the French texts are based on the earliest published translations.Textual notes explain unfamiliar terms, allusions and points of detail in the translations.A full introduction locates the plays in their cultural and political context and gives a comparative account of playhouses in London and Paris.
出版日期Textbook 1998Latest edition
关键词bibliography; comparative; edition; England; English; event; France; French; love; play; restoration; seventeen
版次1
doihttps://doi.org/10.1007/978-1-349-26945-7
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Macmillan Education Limi
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Tartuffe,ries he had won during the course of 1668; these were crowned by the Peace of Aix-la-Chapelle. Louis signalled his new willingness to assert his authority by dissolving the Company of the Blessed Sacrament later that year. (The Company of the Blessed Sacrament had already begun to lose some of its v
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All for Love,r to follow English or French literary models in his work. Dryden’s essay was cast in the form of a dialogue between four men of culture and taste, discoursing together on critical matters while spending an afternoon on the Thames. The four men — Crites, Eugenius, Lisideius and Neander — are all pse
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The Miser,ad deliberately resolved to eradicate all trace of his private and professional life. The story of Molière’s life can therefore only be pieced together from a few fragments of documentary evidence;. for the most part it is dependent upon the anecdotal evidence of his contemporaries.
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Textbook 1998Latest editionn the earliest published translations.Textual notes explain unfamiliar terms, allusions and points of detail in the translations.A full introduction locates the plays in their cultural and political context and gives a comparative account of playhouses in London and Paris.
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