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Titlebook: Sisters in Literature; Female Sexuality in Masako Hirai Book 1998 Palgrave Macmillan, a division of Macmillan Publishers Limited 1998 bibl

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发表于 2025-3-21 17:09:38 | 显示全部楼层 |阅读模式
书目名称Sisters in Literature
副标题Female Sexuality in
编辑Masako Hirai
视频video
图书封面Titlebook: Sisters in Literature; Female Sexuality in  Masako Hirai Book 1998 Palgrave Macmillan, a division of Macmillan Publishers Limited 1998 bibl
描述A unique study of how novels by Lawrence, Forster and George Eliot can be read as rewritings of Sophocles‘s Antigone : each is presented as a socially and sexually involving argument between two sisters. The author provides an interconnected case-study where each text works on the hidden meanings of the other. Female sexuality, expressed through the language of duality (vulnerability, frustration, submission and destructivity, consummation and rebirth), becomes an ideal vehicle for crossing the barriers between sexes and between societies, as between the texts themselves.
出版日期Book 1998
关键词bibliography; English literature; female sex; George Eliot; history; history of literature; knowledge; lang
版次1
doihttps://doi.org/10.1057/9780230375192
isbn_ebook978-0-230-37519-2
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 1998
The information of publication is updating

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发表于 2025-3-21 21:16:51 | 显示全部楼层
Book 1998 the other. Female sexuality, expressed through the language of duality (vulnerability, frustration, submission and destructivity, consummation and rebirth), becomes an ideal vehicle for crossing the barriers between sexes and between societies, as between the texts themselves.
发表于 2025-3-22 00:35:21 | 显示全部楼层
发表于 2025-3-22 05:44:48 | 显示全部楼层
Book 1998 and sexually involving argument between two sisters. The author provides an interconnected case-study where each text works on the hidden meanings of the other. Female sexuality, expressed through the language of duality (vulnerability, frustration, submission and destructivity, consummation and re
发表于 2025-3-22 12:07:04 | 显示全部楼层
Introduction,Museum. I was spellbound both by the unique charm of each painting, large or small, monochrome or coloured, round or angular, of an individual or of a group, charming, ugly or humorous… and by the rich variety and the inexhaustible energy of the artist who produced it. It is stimulating to the mind
发表于 2025-3-22 13:09:09 | 显示全部楼层
The Common Doom,er, of temperament, between Antigone and her sister Ismene, in spite of their natural blood-bond and their shared grief at the deaths of their parents and brother, subtly incites Antigone’s desperate resistance and leads her to her fatal confrontation with the new king, her uncle, Creon. Creon has i
发表于 2025-3-22 18:43:53 | 显示全部楼层
Reading ,n ., George Eliot has a German artist, Naumann, point out to Will Ladislaw in Rome ‘a fine bit of antithesis’ between a voluptuous classical statue and the ‘breathing blooming’ Dorothea Brooke, clad in Quaker grey and pondering something unseen. The statue is of the reclining Ariadne, but Naumann ca
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发表于 2025-3-23 03:56:26 | 显示全部楼层
: From Letters to a Connecting Vision,munication between the sisters, instead of dialogue, which opens . and which is used in both . and .? The first dialogues in those two novels take place in sitting rooms, and the tone of each, different as they are from each other, retains some sort of dramatic power, despite the constraint in the s
发表于 2025-3-23 07:25:56 | 显示全部楼层
(1): The Disruptive Style, its Images and Arguments, and Lawrence tried to do in fiction, and a reason why they chose to use the theme of the sisters in their novels. The sisters’ relationship with each other and the world they create by seeing things differently, by arguing, by loving, and also by experiencing disillusion, is a natural model for fic
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