Titlebook: Sisters and Rivals in British Women‘s Fiction, 1914-39; Diana Wallace Book 2000 Palgrave Macmillan, a division of Macmillan Publishers Lim

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,‘My Second Self’: Winifred Holtby and Vera Brittain,ched marriage’ (redefining the ‘honourable estate’ of matrimony), Holtby’s offers a vision of female community based on shared work. Competition is still evident, however, in Brittain’s reflection that: ‘I shall never do anything to equal this!’ (1986, 228).

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Sisters and Rivals in British Women‘s Fiction, 1914-39978-0-230-59880-5

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Introduction,‘Other Woman’ in the triangle – wife or mistress – and is mediated through their relation to the man for whom they are rivals. This is, as VirginiaWoolf implies here in . (1929), the male plot of female rivalry – ‘simplified, conventionalised’. It is the stereotype that Bertrand Russell accepted whe

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,‘An Age of Transition’: Historical Context,rked, ‘there is now a reaction against it’ (1934, 151). According to Deirdre Beddoe in ., ‘the single most arresting feature of the inter-war years is the strength of the notion that women’s place is in the home’ (1989, 3). Fears that women were encroaching on traditionally male territory led to deb

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Theorising Female Rivalry, the two influential essays on female development which he formulated during the inter-war period – ‘Female Sexuality’ (1931) and ‘Femininity’ (1932). The male-identified erotic triangle, particularly if the male rival is older, can be read, as Rene Girard reads it in ., in terms of the boy’s desir

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