Titlebook: Sinophone Cinemas; Audrey Yue (Associate Professor in Screen and Cult Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Lim

舔食

争论

Sinophone Libidinal Economy in the Age of Neoliberalization and Mainlandization: Masculinities in Hoew Wave film-makers working on Hong Kong- China co-production blockbusters that cater to what I call a mainland- izing market. While Hong Kong-China co-productions by established Hong Kong film-makers tend to continuously struggle within vertical, binary relations to China, in terms of national and

Nucleate

Harpoon

自恋

Framing Sinophone Cinemastural productions that have emerged on the margins of China and the global Chinese diasporas. The concept was coined by Shu-mei Shin, in . (2007) to respond to the expiration of the Chinese diaspora as second and third generations become more localized. Shih considers the unifying concept of the Chi

Ligament

Genealogies of Four Critical Paradigms in Chinese-Language Film Studiesof the field. Even as scholars are tackling what appear to be Chinese films, nothing is self-evident or taken for granted. They constantly raise issues about what constitutes the very subject of Chinese cinema(s), what ought to be the range of investigation, what are the appropriate analytical tools

Wernickes-area

Locale

碳水化合物

The Voice of the Sinophonecursive paradigm in modern Chinese literary and cultural studies.. ot only does it now boast a critical reader (Shih, Tsai and Bernards, 2013) and a book series (by Cambria Press), this volume on Sinophone cinema bespeaks a desire of scholars of Chinese cinemas to participate in an emerging field ch

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