Titlebook: Single Women in Popular Culture; The Limits of Postfe Anthea Taylor Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limite

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Introduction,wave moved into their 20s and 30s, a purportedly new subjectivity for women appeared to be gaining cultural currency in Western media culture. Indicative of this trend, . seemed to celebrate the single woman of a certain demographic (white, financially secure, and heterosexual). She also appeared in

puzzle

,Theorizing Women’s Singleness: Postfeminism, Neoliberalism, and the Politics of Popular Culture,of single women, such texts work to profoundly mediate women’s understanding of being single (as they do other modalities of difference). When invoked in the public sphere, the idea of singleness appears with startling regularity as a problem to be rectified, despite concurrent depictions of (certai

Abrade

From the Second-wave to Postfeminism: Single Women in the Mediasphere, women have been figured in the Western public imaginary since the early 1960s. Though by no means an exhaustive account, I attend to key texts, including newspaper articles, books, films, and television, with the most significant cultural reverberations from over the past 50 years.. As Betsy Israel

Herbivorous

Spinsters and Singletons: , and its Cultural Reverberations,ents with the single women of postfeminist media culture, noting in particular how this functions to elide other forms of difference and femininities (Gill, 2007). My own choice to focus predominantly on Bridget in this chapter, however, results from the way she continues to culturally reverberate,

CHOIR

Desperate and Dateless TV: Making Over the Single Woman,women in another form: reality television programmes geared towards single women’s purported desperation to be otherwise. To challenge claims that women’s singleness now enjoys a widespread form of cultural legitimacy it has not previously, there is no more obvious textual site than that of so-calle

夹死提手势

Self-Help and the Single Girl: From Salvation to Validation, for different ideological purposes — the single woman. Here I consider a number of self-help and conduct style manuals directed towards single women produced in the 1990s and 2000s. This subgenre of self-help writing, corresponding with increased numbers of singles, appears to have experienced a bo

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Blogging Solo: Women Refiguring Singleness,ontested, negotiated, and rewritten. The single women blogosphere can be seen to challenge the texts and forms previously addressed in two key ways. Firstly, by providing counter-narratives to those that position singleness as a problem to be rectified; secondly, many of these blogs do not appear ma

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富足女人

Book 2012Single Women in Popular Culture demonstrates how single women continue to be figures of profound cultural anxiety. Examining a wide range of popular media forms, this is a timely, insightful and politically engaged book, exploring the ways in which postfeminism limits the representation of single women in popular culture.